15 May, 2010
Tell Me Lies in a Dead Language
Perhaps it starts with genetics.
The knack of the body to remember
what the mind chooses to disregard:
gloom, heartbreak, and black eyes.
To routinely recall the verb forget
soon after a drunken argument
has leaned in close and shouted
sinister advice in your ears.
Each day, less of you survives,
and what remains seems fragile and disposable,
half-healed bones and broken china.
A penchant for shoplifting, sex,
and scotch before noon.
Scattered scars that outline your wrists
and bruises that ache, disappear, then return.
So you say that your husband is nice
in his own way, a statement as undecipherable
to me as Sanskrit. You tell me lies
in a dead language and I answer them
with the comforting weight of silence.
I can only think of how at dusk,
as night closes around our world like a fist,
he will punch you behind drawn curtains
and locked doors.
If I believed in apologies,
I’d give all of mine to you,
mumbled like unanswered prayers
floating aimlessly toward heaven.
~ ~ Adrian Potter
From: The Shine Journal, Vol. 1 (2010).
Anguish
Sounds like something squashed, squished,
stepped on, lost.
An guish
rather than a guish, as if right off,
you began wrong.
~ ~ John Levy
From: Oblivion, Tyrants, Crumbs, First Intensity Press, 2008.
Sounds like something squashed, squished,
stepped on, lost.
An guish
rather than a guish, as if right off,
you began wrong.
~ ~ John Levy
From: Oblivion, Tyrants, Crumbs, First Intensity Press, 2008.
in between petals
of a tiny white daisy
this shifting world
~ ~ Donna Fleischer
From: "Seed Packets", Bottle Rockets Press Anthology, 2010
~ ~ Donna Fleischer
Published in Kō, 2009.
Photo, with permission of Pam Harris.
of a tiny white daisy
this shifting world
~ ~ Donna Fleischer
From: "Seed Packets", Bottle Rockets Press Anthology, 2010
filling
with Spring light
an abandoned nest
~ ~ Donna Fleischer
Published in Kō, 2009.
Photo, with permission of Pam Harris.
Sleep
The young dog would like to know
why we sit so long in one place
intent on a box that makes the same
noises and has no smell whatever.
Get out! Get out! we tell him
when he asks us by licking the back
of our hand, which has small hairs,
almost like his. Other times he finds us
motionless with papers in our lap
or at a desk looking into a humming
square of light. Soon the dog understands
we are not looking, exactly, but sleeping
with our eyes open, then goes to sleep
himself. Is it us he cries out to,
moving his legs somewhere beyond
the rooms where we spend our lives?
We don't think to ask, upset
as we are in the end with the dog,
who has begun throwing the old,
shabby coat of himself down on every
floor or rug in the apartment, sleep,
we say, all that damn dog does is sleep.
~ ~ Wesley McNair
From Lovers of the Lost: New & Selected Poems by Wesley McNair.
Used by permission of David R. Godine, Publisher, Inc.
Copyright © 2010 by Wesley McNair
The young dog would like to know
why we sit so long in one place
intent on a box that makes the same
noises and has no smell whatever.
Get out! Get out! we tell him
when he asks us by licking the back
of our hand, which has small hairs,
almost like his. Other times he finds us
motionless with papers in our lap
or at a desk looking into a humming
square of light. Soon the dog understands
we are not looking, exactly, but sleeping
with our eyes open, then goes to sleep
himself. Is it us he cries out to,
moving his legs somewhere beyond
the rooms where we spend our lives?
We don't think to ask, upset
as we are in the end with the dog,
who has begun throwing the old,
shabby coat of himself down on every
floor or rug in the apartment, sleep,
we say, all that damn dog does is sleep.
~ ~ Wesley McNair
From Lovers of the Lost: New & Selected Poems by Wesley McNair.
Used by permission of David R. Godine, Publisher, Inc.
Copyright © 2010 by Wesley McNair
Birds change places the bare tree branches.
~ ~ John Levy
From: Oblivion, Tyrants, Crumbs, First Intensity Press, 2008.
Shelf Life
Now that I am older, books love me intensely.
They have forgiven my college indiscretions
of cracking spines and highlighting pages in yellow,
back when I was desperate to eat words.
In the bookstore, I converse with the paperbacks—
These books have no sense of history.
They yawn, flip their flimsy pages incredulously
as if they know it all in 200 words or less.
They just don’t get it, so I visit the clearance bin,
say hi to the one-offs and discontinueds.
This is a generous lot. They mold themselves to my hands
as they often do for anyone bookworming on a Saturday afternoon.
Like kittens in a box, they’re waiting to be adopted
by someone like me, who combs the aisles of the familiar,
looking for a slim gem or doorstop tale to anoint
the small place in me that can always make room for one more.
~ ~ January Gill O'Neil
Now that I am older, books love me intensely.
They have forgiven my college indiscretions
of cracking spines and highlighting pages in yellow,
back when I was desperate to eat words.
In the bookstore, I converse with the paperbacks—
These books have no sense of history.
They yawn, flip their flimsy pages incredulously
as if they know it all in 200 words or less.
They just don’t get it, so I visit the clearance bin,
say hi to the one-offs and discontinueds.
This is a generous lot. They mold themselves to my hands
as they often do for anyone bookworming on a Saturday afternoon.
Like kittens in a box, they’re waiting to be adopted
by someone like me, who combs the aisles of the familiar,
looking for a slim gem or doorstop tale to anoint
the small place in me that can always make room for one more.
~ ~ January Gill O'Neil
08 May, 2010
How is it that I can enter at the sea
and come back through the moon
Is the purpose of the moon the ache of renewal
or an eager decay
The moon is what I do not have
on the other side of falling
So, why is my sun limited to moonlight
Do I consume too much of the moon
Do I consume too much of the moon
~ ~ Grant Hackett
alone
facing the cream-white moon
out of place
~ ~ Chen-ou Liu
Published in Sketchbook Sept/Oct. 2009.
~ ~ ~
the same moon
Li Po drank to
the same autumn
Tu Fu wrote of—
I alone change
la même lune
dont Li Po s’abreuvait
le même automne
que décrivait Tu Fu—
moi seul je change
~ ~ Chen-ou Liu
Published in Gusts #10 (Fall/Winter 2009), and showcased in Atlas Poetica (Special Edition: Canadian Tanka Poets in French and English). French translation by Mike Montreuil and Huguette Ducharm.
facing the cream-white moon
out of place
~ ~ Chen-ou Liu
Published in Sketchbook Sept/Oct. 2009.
~ ~ ~
the same moon
Li Po drank to
the same autumn
Tu Fu wrote of—
I alone change
la même lune
dont Li Po s’abreuvait
le même automne
que décrivait Tu Fu—
moi seul je change
~ ~ Chen-ou Liu
Published in Gusts #10 (Fall/Winter 2009), and showcased in Atlas Poetica (Special Edition: Canadian Tanka Poets in French and English). French translation by Mike Montreuil and Huguette Ducharm.
moon
the moon is never
out of fashion
pregnant belly
curved blade
ladle bowl
pulling the ocean
& our own red seas
sparking darkest
lunacies ~ the moon
is never retro
~ ~ Sharon Brogan
the moon is never
out of fashion
pregnant belly
curved blade
ladle bowl
pulling the ocean
& our own red seas
sparking darkest
lunacies ~ the moon
is never retro
~ ~ Sharon Brogan
27 April, 2010
Muscle Memory
If the muscles remember
every wrap and release, how
they must mourn the loss of love,
and time spent loving.
What widow does not ache
for her husband's hips to embrace -
What former rider forgets
the pulse of trot beneath her -
What retired sailor doesn't yearn
for the sea's swell, its surge
of surf and tide ?
Does muscle memory also hold a place
for anticipation ? For fear ?
Or, is she like her sister, Cognition,
that once she changes her mind
can no longer remember
her original position ?
Like the amputee who still feels
the impulsion of his phantom legs,
this memory is far more honest
than intellect, more loyal
to our bodies, than our brain is
to our fickle minds.
~ ~ Ellen M. Taylor
First published in Humming to Snails, Moon Pie Press, 2005
Rorschach
My life as a hut, roar
shack, no
joke, all joke, ink
blot, ink botch, take a guess, live
a guess, look at this mess, an
ink
spill. My life an inked
shape on a page, a writer, an eraser, here
is my drafty shack, my hovel, I have
at it, tilt at it, go full tilt, half-tilt, full blot,
blottingly. And with this blotty paw
hand you this blotesque self
poured
onto, into, through a page.
~ ~ John Levy
From: Twelve Poems, tel-let online, 2006
My life as a hut, roar
shack, no
joke, all joke, ink
blot, ink botch, take a guess, live
a guess, look at this mess, an
ink
spill. My life an inked
shape on a page, a writer, an eraser, here
is my drafty shack, my hovel, I have
at it, tilt at it, go full tilt, half-tilt, full blot,
blottingly. And with this blotty paw
hand you this blotesque self
poured
onto, into, through a page.
~ ~ John Levy
From: Twelve Poems, tel-let online, 2006
Oranges
When one wakes in the night
despite sleeping pills, white
noise machines, orthopedic
pillows, and thinks of oranges
-- such sweetness -- there it is,
that orange, floating brilliantly
in this dim room -- and all
the things one must make sense
of -- Nehru jackets, bouffant
hairdos, threatening french
nails -- your attachment to top-
less bars, those artificial orbs,
that tooty fruity booze -- all
this demanding explication
in the swoony night with its
train whistles and sock-it-to-me
buzz, love, American style, the ed-
ification of this planet's turn to
darkness, the rebellious suicide
of the sun, the sweetness of
oranges -- where is Lawrence
of Arabia when you need him
to peel this open, to hand you,
one-by-one, these white-veined
crescents, dripping with light?
~ ~ Sharon Brogan
When one wakes in the night
despite sleeping pills, white
noise machines, orthopedic
pillows, and thinks of oranges
-- such sweetness -- there it is,
that orange, floating brilliantly
in this dim room -- and all
the things one must make sense
of -- Nehru jackets, bouffant
hairdos, threatening french
nails -- your attachment to top-
less bars, those artificial orbs,
that tooty fruity booze -- all
this demanding explication
in the swoony night with its
train whistles and sock-it-to-me
buzz, love, American style, the ed-
ification of this planet's turn to
darkness, the rebellious suicide
of the sun, the sweetness of
oranges -- where is Lawrence
of Arabia when you need him
to peel this open, to hand you,
one-by-one, these white-veined
crescents, dripping with light?
~ ~ Sharon Brogan
What Can Be Seen
I've been thinking, again, of you
and others. How something we don't
understand binds this universe
together. That the dark
matter of our brains may be what
makes us who we are. How instinct,
genetics, and experience weave
together in a rope
we may use to climb or tie or hang
ourselves. Or others. How my brother,
finally, released my hand, and died.
This snow will, soon,
release itself into air. I am thinking,
again, of hearts: their dumb stamina,
their unseen flaws and missed beats.
That we can test only
that which we can see. Or that which
leaves a mark, some evidence of its
existence, if only for a nanosecond,
if only on a graph.
Are we constructs? Is there a formula
which expresses you, which expresses
me? How our blunt hands hold on.
How they let go.
~ ~ Sharon Brogan
I've been thinking, again, of you
and others. How something we don't
understand binds this universe
together. That the dark
matter of our brains may be what
makes us who we are. How instinct,
genetics, and experience weave
together in a rope
we may use to climb or tie or hang
ourselves. Or others. How my brother,
finally, released my hand, and died.
This snow will, soon,
release itself into air. I am thinking,
again, of hearts: their dumb stamina,
their unseen flaws and missed beats.
That we can test only
that which we can see. Or that which
leaves a mark, some evidence of its
existence, if only for a nanosecond,
if only on a graph.
Are we constructs? Is there a formula
which expresses you, which expresses
me? How our blunt hands hold on.
How they let go.
~ ~ Sharon Brogan
28 March, 2010
Your Scar
My fingers roam
the soft flesh of your brow,
feel a minor ridge above your right eye.
It’s a small scar
not like the scuff of soldiers’ boots
or the woodcutter’s axe in a tree.
It’s an almost invisible seam
from a long-ago car accident.
No train derailment.
No plane crash on takeoff.
No guy taking what defeats him
out on you.
Just a collision from behind,
your head jolted forward,
smacked against the windshield,
a wound, some blood,
five minutes waiting
for your heart to slow,
your head to focus,
your eyes to turn toward
your father at the steering wheel.
It’s the tiniest healed incision.
Nothing like hearing in a hospital bed
how your old man didn’t make it.
Or your mind reliving that cruel impact
every night until forever.
It’s a trivial scar
that marks the constant anniversary of
everything, everyone’s okay,
it happened, let’s get on with it.
I hold you close
and kiss that scar,
ahead of time if need be.
~~ John Grey
By what
nick of luck
am I not
that magpie?
****
Going into the storm -
Not choosing is a choice
Tom Montag
nick of luck
am I not
that magpie?
****
Going into the storm -
Not choosing is a choice
Tom Montag
The Wrong Guy
When you’re with people,
it’s a tossup whether to be
fully revealed.
First impulse is always
to clutch yourself to yourself
like you’re your own baby.
But when you start concealing,
you run the risk of concealing everything,
until there’s no one left
to receive advice,
to ignore it as best you can.
So, realizing
that one shame shouldn’t
bury another,
and a blush is just
the blood flow of a smile,
you said, “Yes, I’m going out with him.”
Then for the longest time,
you could feel their eyes
burning bible passages on your chest
while their tongues hurried back into cold storage.
Finally, one of them blurted out,
“Well he is a good looking young man.”
You slipped those words on your head like a tiara.
It shone so bright
that, for a moment,
no one could read
the stifling regulations of this world.
~~ John Grey
When you’re with people,
it’s a tossup whether to be
fully revealed.
First impulse is always
to clutch yourself to yourself
like you’re your own baby.
But when you start concealing,
you run the risk of concealing everything,
until there’s no one left
to receive advice,
to ignore it as best you can.
So, realizing
that one shame shouldn’t
bury another,
and a blush is just
the blood flow of a smile,
you said, “Yes, I’m going out with him.”
Then for the longest time,
you could feel their eyes
burning bible passages on your chest
while their tongues hurried back into cold storage.
Finally, one of them blurted out,
“Well he is a good looking young man.”
You slipped those words on your head like a tiara.
It shone so bright
that, for a moment,
no one could read
the stifling regulations of this world.
~~ John Grey
14 March, 2010
Pearls of Wisdom
Here by the water's edge,
listening to what the sea brings,
I know deep down
even a grain of sand sings
wondrous things.
~~ Vassilis Zambaras
Subscribe to:
Posts (Atom)


